THE GAMBERINI BAG MODELS
TailorSuite cameo: couture silks, cut one at a time
Two cameo cut from the same silk are not the same. It isn't the fabric that varies: it's where we cut it.
TailorSuite cameo: couture silks, cut one at a time
TailorSuite cameo: couture silks, cut one at a time
Dodici anni, da Bologna a Los Angeles: la storia di Inna
Who is the woman who carries a Gamberini? Part of the answer is called Inna, and she lives on the other side of the world.
Dodici anni, da Bologna a Los Angeles: la storia di Inna
Dodici anni, da Bologna a Los Angeles: la storia di Inna
The Gamberini Backpack: a small architecture between street art and futurism
How Boccioni's lines and the street art of the Eighties shaped the backpack you carry every day.
The Gamberini Backpack: a small architecture between street art and futurism
The Gamberini Backpack: a small architecture between street art and futurism
How the Cameo Exchange works: change your bag in ten seconds
Three snap buttons, ten seconds, and the bag is another one. Here's the gesture people ask me about every day in the shop.
How the Cameo Exchange works: change your bag in ten seconds
How the Cameo Exchange works: change your bag in ten seconds
Ubertina: the woman who owns more Gamberini bags than I do
We have never met in person. She still owns more Gamberini bags than I keep, and one of them carries her name.
Ubertina: the woman who owns more Gamberini bags than I do
Ubertina: the woman who owns more Gamberini bags than I do
From a cellulose fibre clutch to Via d'Azeglio: twelve years of Gamberini bags
From the first cellulose fibre clutch to the Night, one model at a time. Twelve years of bags, told through dates.
From a cellulose fibre clutch to Via d'Azeglio: twelve years of Gamberini bags
From a cellulose fibre clutch to Via d'Azeglio: twelve years of Gamberini bags
The hands behind a Gamberini bag: Simone, Tania, Carlotta
Made in Italy is an easy label to write. I'd rather tell it as geography, and with three names.
The hands behind a Gamberini bag: Simone, Tania, Carlotta
The hands behind a Gamberini bag: Simone, Tania, Carlotta
Via d'Azeglio 5/A: why I chose this street
In 2015 I was looking for a space and could have chosen anywhere in the city. Here's why it ended up here.
Via d'Azeglio 5/A: why I chose this street
Via d'Azeglio 5/A: why I chose this street
From the first prototype to WHITE Milano
Three bags in a material nobody used for bags, and a cameo that comes off. How it went at WHITE Milano.
From the first prototype to WHITE Milano
From the first prototype to WHITE Milano
Arte Fiera 2026: Roberta Cacciatore's cameo, between cyanotype and ceramic
I asked an artist to use the Gamberini oval as a canvas. What came out were cyanotype cameo, with ceramic applied by hand.
Arte Fiera 2026: Roberta Cacciatore's cameo, between cyanotype and ceramic
Arte Fiera 2026: Roberta Cacciatore's cameo, between cyanotype and ceramic
From the sticker museum in Modena: how the Cameo Exchange began
I was in Modena for a design event. The idea came from a museum I walked into by chance.
From the sticker museum in Modena: how the Cameo Exchange began
From the sticker museum in Modena: how the Cameo Exchange began
From art history to Via d'Azeglio: how I became a bag designer
Three memories from my mother's wardrobe, and one of them keeps changing. That's where it all started.
From art history to Via d'Azeglio: how I became a bag designer
From art history to Via d'Azeglio: how I became a bag designer
Gamberini: why I put my surname on a bag
I could have invented something international, evocative, worked out at a desk. I chose my surname, and here's why.
