The exhibition is the result of a collaboration between visual artist Roberta Cacciatore and the Gamberini Bag brand, establishing itself as a meeting point between artistic research, artisanal practice, and symbolic reflection on the image.

Roberta Cacciatore's research begins with her own body, taken as a model and simultaneously stripped of its identity through the cyanotype process, which dissolves its features and places it in a suspended dimension. Cyan blue acts as a symbolic filter, transforming the figure into a dreamlike, anonymous, and open presence. The artist uses ceramic as a framing device and an extension of the image, embroidering and interweaving photographs into three-dimensional structures that amplify their narrative and material dimension. Photography thus becomes a narrative pretext: it does not tell a closed story, but suggests an unfinished plot that the viewer's gaze is called upon to complete. The central element of this project is the weeping female figure, taken as the iconographic fulcrum and generative device of the image. Crying, materialized in ceramic tears, is not simply an emotional sign here, but a formal and narrative principle that organizes the composition: a gesture that radiates from the central figure and, as if by visual contamination, also encompasses the plant subjects and the entire space of the work. The tear, capable even of moving the fruit and vegetables to pity, attenuates the drama and eases the tension, bringing out the ironic side that the artist reveals in all his works, in stark contrast to the small drama staged.

The collaboration takes shape through the creation of a capsule collection designed specifically for the project, limited-edition Cameos, entirely handmade, which translate the artist's imagination into unique objects, suspended between artwork and accessory.